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Release Year: 2003
Studio: Insex
Cast: Spacegirl, Moonshine
Genres: BDSM, Severe Bondage, Domination, Fetish, Torment, Abusing, Spanking, Rubber
Video language: English

Interlude is the edited footage of a live feed with Spacegirl and Moonshine, shot in three segments, July 12, 2003.

The first half of Interlude explores the imago and predicament of long term containment.

The second half follows Moonshine into the barn for harsh bondage, torment, and pleasure.

It begins with two women bare on a mattress, fixed to the wall. One wears a solid metal hood. The other wears a intense metal head cage. The one wearing the metal hood investigates its immutable surface with her hands, as though trying to understand it. The two damsels touch one another. They hold hands, seeking comfort in this strange circumstance where they wait and wait.

Upon a mantel rests a skull and torment devices, perhaps portraying the course of things to come. Then we see a metal container. The doors are opened to reveal two vixens packed side by side within, separated by a metal grid.

Once the hoods are removed, Spacegirl and Moonshine sit, waiting. Time is the foe. It eats into muscle, into the mind. The container is turned on its side so that now they are stacked, one above the other. They re-position, their bare young flesh stark inside so much metal. Metal plates are removed from the side and each girl’s head is pulled out and bracketed in place.

Spacegirl is cruelly slapped in the face repeatedly. They are both gagged. The metal grid is hard on knees. Pain mounts in small increments. Clothespins are placed on tongues, ear lobes, and the septa of their noses. They wait. Now time is . Drool drips into the hair of the one below. The damsels help one another, finding a way to remove the clothespins. But with the clothespins gone, the pain of their position becomes paramount. Their torture rises.

The gags are removed. More face slapping. But a caress here and there between the slaps creates compliance, willingness. The metal plates are unscrewed. They recoil into their containment, worn down by captivity.

The second part takes place in the barn. Moonshine is strapped onto a chair. A tight black leather hood conforms to her face. She has only a small hole through which to breathe, rocking with each breath as though it is a struggle.

His shadow darkens her form as he . He fondles, kisses, plays with her titties. Her feet are raised to the front corners of the seat and strapped in place, so that her knees are up and separated.

When the hood is removed, a clear stretchable bag, loosely fitted to the head and neck, is put in place. The stretchable fogs from the moisture of her breath. A dildo goes inside of her, its shiny black surface setting off her many dangling bush rings. Clamps pinch her nipples. He flogs her bush. Cord is looped though her labia rings and restrained off around the protruding base of the dildo to keep it in place.

The clear hood is replaced by the tight black leather hood, each lace pulled to meld it to her face. The hood creates the sense that her head is an representation rather than a living thing. Her hands, pinioned together by the severe leather chain, make worried movements. She holds them together as though in prayer. And the flogging begins once more. Her flesh goes red from the welts about her cunt. Her boob is mottled by the whip. The Eroscillator appears. The maw of her rose widens from excitement, ringed by labial jewelry. When she is unable to come by the time he counts backwards from ten, he turns off the vibrator and leaves.

Then she is standing, legs spread, arms bound back. The high collar on her neck keeps her chin up. One leg is fixed to the beam behind her, perpendicular to her skin. He shocks the butt of her foot with a cattle prod that looks for all the world like the Devil’s fork. The vibrator returns, but a cane appears also. He uses them together. She screams and weeps. He kisses her. She looks shell-shocked, her bright red tit like a neon sign.

She finally comes, her face a mixture of and pain.

Format: real
Duration: 1:31:00
Video: 320×240, RV30
Audio: 43kbps



File size: 148.3 MB

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