Movie + full photoset
Release: 2002
Trailings is a compilation of slices, brief views as though through a window. The focus is bondage. The medium is flesh.
The first is tied in a hogtie, still clothed in jeans, sneakers and tight top. The ankles keep tension on a rope that is wound about her neck. She struggles, growing pale as time passes. A pulley is lowered. The rope that attaches her ankles to her neck is raised, creating a curved bow to her skin and a faint blue about her eyes and mouth.
She is put up on her knees. The ropes pull her neck backward, jutting out her chest. Her top is lifted and bra pulled down. Her nipples are yanked and tweaked. Her jeans, unzipped, charge down to her knees. Blue satin underwear. He slaps her face. She coughs repeatedly, pale and white.
She is denuded and bent over, wobbling in heels, wrists tied to knees. A rope about her waist and hooked to the pulley keeps her on her feet. Her neck and hair are tied to the pulley, her pale throat bared. A crotch rope pulled tight lifts her buttocks. He milks her boobs and fondles her peach, bunched into a fleshy mass. The beating starts. Her thin, young flesh squirms. Reddened piece of asshole.
Lying on her back, her arms folded above her head backward and chained to a rope at her upper back. Ankles bound to upper thighs. She writhes about. Her white flesh, milky thighs.
A four-by-four post. She is naked. Her wrists restrained high above her head, a box beneath each foot. These are taken not here so that she hangs by her wrists. But she is strong, a beautifully muscled body. She wraps her thighs about the post, worming upward. He beats her butt with a cane. Each nipple is fixed off and stretched toward the floor. A plug is screwed into her mouth. A rope fixes her neck to the post. Folding her legs back and upward, they are chained to the post. No struggle anymore, just hanging.
She is in jeans and a top, one calf bound to her thigh. Her arms restrained behind her back, her mouth stuffed and taped. She writhes, her boobs extraordinary in size and roundness, pushed outward as though proffered. She is made to stand on her unbound foot and hooked to the pulley. She hops about. Her melons are lifted out, those flour-white shapes. They make you want to chew, to gnaw.
She is bare and standing, her ankles and toes chained tightly. The rope about her waist makes her shapely, the crotch rope tight and cutting. Her arms are fixed out of the way. What else could be done with those milkers but to squeeze them between thick pieces of dowel. This only makes them better, rounder. One thinks of them served for dinner, the centerpiece of a platter. She is hoisted onto her tiptoes. She grows anxious and upset. Her tits, strangely, appear to grow larger, like they only want to please, to leap into your mouth.
Metal stocks hold her thighs wide. Her wrists are locked into the far ends of the stocks. Her neck is shackled and locked on. She is in garter belt, stockings, and heels. Yet her skin seems more mechanism than doll. The thin, rippled slivers of her vagina set off the shine of her piercing. A u-bolt is locked into her mouth. The cattle prod abets her to worm about this way and that until resting her rose on the toe of his boot.
She is pulled onto her back, spread and available, a thick, velvety pussy. A large speculum is inserted and opened. Her vulva becomes a widened mouth with metal lips. Small clothespins bite into creamy body, her inner thighs and rose. He smacks the bottoms of her feet with a cane. She looks to have a pipe hole to the rose. The clothespins are removed slowly, painfully as he fingers her clit.
She is on her knees, her lower legs strapped to four-by-fours. Arms are behind in strappado. A ultimate collar is tightened about her neck. A dildo goes in, strapped in place, providing a handle for ease of use. Her hooters are flogged. She weeps and cries. Clamps pinch her nipples. Weights added one by one create a severe sag. She sinks downward.
Full movie + photoset
Format: avi
Resolution: 640 x 480
Duration: 00:47:32
Screenlist:
File size: 572.9 MB
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